Play Along Piano

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counterpoint

J.D. Zelenka: Lamentatio I (complete, from ZWV 53)

BSG

16:22	Est. Play Time
150	Measures
	1,706Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	23	0	10	8	96%
Contrabass	23	0	10	8	96%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	23	10	8	96%
Contrabass	23	10	8	96%
Violin 1	28	11	11	75%
Violin 2	27	11	9	75%
Bass	16	5	9	74%
Viola	23	7	9	59%
Oboe 1	19	8	9	31%
Oboe 2	19	7	8	29%

J.S. Bach, Well Tempered Clavier Book I, Fugue 8 in D-sharp Minor

sjforman

2:54	Est. Play Time
87	Measures
	2,284Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	0	4	8	99%
	30	0	5	5	46%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	4	8	99%
	30	5	5	46%
Soprano	19	2	7	99%
Alto	26	3	8	50%
Bass	30	5	5	46%

J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)

BSG

3:10	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	23	0	7	3	100%
Realization	20	57	8	8	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	23	0	7	3	100%
Realization	20	57	8	8	100%
Oboe	20	0	8	9	74%
Bass	15	0	3	5	67%
Soprano	17	0	6	7	64%

J.S. Bach: Ich steh’ mit einem Fuß im Grabe (BWV 156, #2)

BSG

7:28	Est. Play Time
113	Measures
	1,717Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	27	0	10	6	99%
Contrabass	27	0	10	6	99%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	27	10	6	99%
Contrabass	27	10	6	99%
Strings	20	7	6	97%
Tenor	18	5	8	73%
Chorale Soprano	9	1	4	32%

Prelude and Fugue for Orchestra

penne vodka

8:10	Est. Play Time
160	Measures
	2,823Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	13	11	6	88%
Violins II	30	9	10	8	86%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	13	11	6	88%
Violins II	30	9	10	8	86%
Violins I	37	3	16	8	72%
Flutes	33	31	14	7	72%
Violoncellos	26	5	11	7	69%
Bassoons	32	17	16	7	66%
Contrabasses	32	0	14	7	65%
Clarinets in B♭	29	23	10	8	63%
Oboes	25	17	11	7	60%
Horns in F	25	31	9	7	49%
	27	34	8	6	33%
Timpani	4	0	0	4	16%
Trumpets in B♭	12	7	5	5	12%

Adagio and Fugue for string quintet f-sharp minor Op. 18

Niilo Korsulainen 2

9:51	Est. Play Time
213	Measures
	2,118Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	37	1	22	8	96%
Violin II	28	0	14	8	92%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	37	1	22	8	96%
Violin II	28	0	14	8	92%
Viola	30	4	18	9	88%
Violin I	32	14	16	10	84%
Contrabass	29	0	16	8	76%

Be Thou My Vision Small Orchestra

Threespot@aol.com

2:33	Est. Play Time
102	Measures
	1,214Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano	20	40	4	6	46%
	15	18	1	5	55%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano	20	40	4	6	46%
	15	18	1	5	55%
Strings, String Ensemble Hard	19	9	1	7	92%
Oboe, Oboe	10	0	0	9	60%
Timpani, Timpani	15	0	2	6	56%
B♭ Clarinet	14	0	1	7	51%
Horn in F	13	0	1	7	51%
Violins, String Ensemble	14	0	0	4	22%
	10	0	0	9	46%
Flute	14	0	0	7	30%
Violoncellos, String Ensemble	18	21	2	4	23%

String Quartet in C# minor

Bradley de Lucia

15:02	Est. Play Time
467	Measures
	1,286Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	34	15	12	7	96%
Viola	25	12	10	7	75%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	34	15	12	7	96%
Viola	25	12	10	7	75%
Violin I	35	0	11	7	65%
Violin II	26	11	7	8	64%

Counter Point to Niji To Taiyou no Oka, "A Hill with a Rainbox and Sun".

Threespot@aol.com

4:10	Est. Play Time
119	Measures
	1,628Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet, Clarinet	19	0	7	9	87%
Winds, Bright Flute	33	0	7	13	85%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet, Clarinet	19	7	9	87%
Winds, Bright Flute	33	7	13	85%
Oboe	17	4	9	85%
Viola	22	3	11	83%
Violoncello	18	2	9	82%
Erhu, Fiddle	17	2	8	80%
Contrabass	18	2	9	79%
Piccolo Trumpet	29	16	8	60%
Horn in F	31	17	8	54%
B♭ Clarinet, Clarinet Bright	18	3	9	30%

Sohon Kingdom Suite (Audio Source) (MCC #2)

Dun Ought

10:33	Est. Play Time
220	Measures
	6,545Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	5	4	29%
	19	2	4	5	27%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	5	4	29%
	19	2	4	5	27%
Contrabass	15	0	1	9	73%
Violoncellos	14	0	1	7	73%
Violas	7	1	5	7	70%
Violins II	8	0	3	8	70%
Violins I	16	1	3	9	68%
B♭ Clarinets	28	23	7	8	49%
Oboes	20	3	3	8	44%
Horns in F	25	37	1	7	33%
Flutes	26	3	5	8	30%
Timpani	7	0	0	7	30%
Bass Clarinet	13	0	0	6	28%
Electric Bass	12	0	0	3	24%
B♭ Trumpets	18	0	3	6	21%
Piccolo	22	0	3	7	19%
Synthesizer (Square)	21	0	9	8	15%
	18	0	8	9	15%
	19	0	7	8	15%
Violin Solo	17	1	0	5	10%
	21	0	4	8	7%
B♭ Clarinet Solo	20	0	4	8	10%

The Emptiness In-Between

dmutters

5:24	Est. Play Time
119	Measures
	1,533Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	17	9	8	85%
	15	0	3	3	90%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	17	9	8	85%
	15	0	3	3	90%
	21	33	6	5	88%
Bass Guitar	22	30	6	6	60%
Electric Guitar	26	36	8	9	59%
12-string Guitar	28	33	3	7	55%
Tenor/Bass	12	0	2	6	41%
Soprano/Alto	10	0	2	6	38%
Lead Vocals	10	0	2	6	32%